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Monday, October 12, 2026
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Dance Star Matthew Ball on Grueling Roles and Social Media Scrutiny: 'I'm Not Precious About My Body'

Within the hushed atmosphere of a hotel bar near London's prestigious dance company, Matthew Ball orders a mint tea. His carriage is naturally upright, his limbs muscular beneath a plain white T-shirt. On stage, dancers can appear as powerful gods, yet often offstage they are small. Not so Ball, whose tall stature is one reason for his popularity for heroic roles and partnering. Possessing fine features and piercing eyes, there's a hint of Robert Pattinson about him.

A Seamless Ascent to the Top

Now 31, Ball is enjoying the crest of a career that has advanced seamlessly. Growing up in Liverpool, he faced little teasing for his childhood passion in ballet. Entering the esteemed training institution at 11, he moved directly into the company and was promoted annually, reaching the highest position of principal in 2018. He has loved tackling substantial dramatic roles, especially the emotional turmoil found in Kenneth MacMillan's works.

"Your lungs are burning, your legs get heavy, but it’s really a mental fatigue."

Ball's upcoming starring role is as himself, in an "Evening With" series designed to offer intimate perspectives into a dancer's craft. He will walk the audience through a role, demonstrating his cognitive workflow during execution. Yet in lighter works, the test is significant. "Don Quixote is one of the toughest technically," he notes.

The Mental Game and After the Show Feelings

What about following a show, when he has pulled it off? "It's pretty good," he says. "But because I'm trying to extract all the emotion out of it, and get lost in the role, quite often I do feel embarrassed afterwards. Following Mayerling I'm always thinking: Wow, what must people think?"

Offstage, Ball is thoughtful, mild-mannered, and quick to laugh at himself. But a choreographer once observed on a "kind of suffering in him." Does this exist? "I'm quite energetic in general, but I do have a dark side," he reveals. "I somewhat enjoy pessimism sometimes. I've always felt that negativity has been an catalyst for good change."

Early Motivations and Creative Inspirations

Ball's tenacity stemmed from youthful setbacks. Not excelling in contests at school made him "vengeful!" It was fuel to prove he could achieve. Discovering the book *Mao's Last Dancer* was a "watershed" moment. "It changed everything, it made me go a bit obsessive," he recalls.

The next endeavor is creating his own dance works. For Ball, "organic movement has value." "Breaking the conventions is interesting, but just pretending that they’re not a thing any more – I don’t know how far you can go with that." He wants his work to be filled with meaning, drawing ideas from books, compositions, and art.

Intimate Dance and Private Dynamic

He additionally is interested in presenting dance in more intimate spaces. "It was just really exciting," he says of a previous show. "You’re so close to the viewers. I felt as if they were thinking: 'That’s a person, and they’re perspiring.'"

Ball has made duets with his partner, fellow principal Mayara Magri. The degree of faith between them is clear. "We tried it out on the beach first," he says of a audacious lift. "It was like Dirty Dancing." The couple are not typically matched on stage at their home company, which might be beneficial. "We’re both quite strong-willed people, so it’s not always hunky dory," he notes. "But I feel like we’re each other’s biggest supporter."

On Social Media and Bodily Image

On Instagram, fans can see clips from his dance films and images that highlight a athletic physique. Does he mind that the response can be somewhat focused on appearance? Not really. "The body is just what we use, so I don’t feel very protective about it," he explains. He relates it to seeing Michelangelo’s David—something that can be interpreted on multiple levels.

Ball characterizes his younger self as "eager for success." Has it met his hopes? "I am conscious of how reality is a different thing to the aspirations you had as a young person," he muses. He probably has about ten years of performing ahead. "I guess in the future, I want to be a bit more kind with myself."

The writer

Angela Shields

A certified accountant with over 10 years of experience in financial management and digital transformation for small businesses.

LedgerWire UK

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